Probably not directly related to what we're dealing with in The Blue Room, but I think there are some ideas in the essays below that might resonate with the play: private/public, obscenity/seduction, anonymity/identity, risk and sensationalism.
Part I
Part II
I'm wondering if there are subtle ways for the production to incorporate references to social media and its effect on intimacy, as a way to update the play to 2012?
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