The 1870’s saw a period of considerable
moral permissiveness in Vienna as elsewhere, even though the rules of conduct
were outwardly strict. ‘Pleasure’ as represented by escape from the ‘rule’ and
the family, was mainly a masculine preserve, and the dancers at Prince
Orlofsky’s party show the demi-monde
in contact with society, whose pleasure-ground it was and off whom it lived.
Masks covered so wide a multitude of sins that some ‘respectable’ ladies with
their help might hope for a little discreet adventure on their own account.
The
New Kobbe’s Complete Opera Book. New York: G. P.
Putnam’s Sons, 1976. p. 344 footnote.
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